The Aztexan

When I first wrote about this documentary project almost a year ago, it had the working title, "Footplay". At the time, it was still a work in progress, waiting for post-production and finishing.

Now it's finished, titled "Pelada", and scheduled to be premiered in March at Austin's own SXSW Film festival.

Here's the description from the film's website:

Two players. 25 countries. One game.

Away from professional stadiums, bright lights, and manicured fields, there’s another side of soccer. Tucked away on alleys, side streets, and concrete courts, people play in improvised games. Every country has a different word for it. In the United States, we call it “pick-up soccer.” In Trinidad, it's "taking a sweat." In England, it's "having a kick-about." In Brazil, the word is “pelada,” which literally means "naked"—the game stripped down to its core. It’s the version of the game played by anyone, anywhere—and it’s a window into lives all around the world.

Pelada is a documentary following Luke and Gwendolyn, two former college soccer stars who didn’t quite make it to the pros. Not ready for it to be over, they take off, chasing the game. From prisoners in Bolivia to moonshine brewers in Kenya, from freestylers in China to women who play in hijab in Iran, Pelada is the story of the people who play.

They're not kidding about the globe-spanning scope of this movie. Some of the locales you'll see in the film (and in the trailer below): Ghana, Uruguay, Iran, France, South Africa, Brazil, Hungary, Kenya, Bolivia, Togo, Argentina, Egypt, China and Peru.

Sports Illustrated columnist and "The Beckham Experiment" author Grant Wahl has this to say about the film:

But what elevates Pelada from a cute highlight travelogue to something more resonant is the filmmakers' ability to find compelling stories and earn the trust of their interview subjects. "Once you play a game with someone, interview doesn't seem like the appropriate word," says [Gwendolyn] Oxenham. "There's this level of intimacy that you don't get if you don't play soccer. Every place we went, you're then invited into their homes. Everyone's mother wants to cook for you."

"[Playing soccer] would change the situation from being an outsider having an interview with them to having a conversation with a friend," adds [Luke] Boughen.

The result is a film that combines eye-popping cinematography (by co-directors Rebekah Fergusson and Ryan White) with human stories: the dreams of a teenage Brazilian girl nicknamed Ronaldinha; a lunchtime kickabout among workers building the Cape Town World Cup stadium; and an Italian writer who pens love poems to the sport. A tense game between Arabs and Jews in Jerusalem reveals the benefits (and very real challenges) that come with the sport.

I hope it won't be long before this movie gets wider distribution and returns to town in "regular" theaters. For now, don't miss your chance to catch it during SXSW. As the schedule shows, it's playing on March 14, 15 and 19. (I'm personally thrilled about the third showing; I'll be out of town earlier that week and will miss the first two.) Having a SXSW pass isn't required to see the film, though it is first-come, first-served. If you're lucky, you might even make an evening of it on the 14th, after the Aztex-Dynamo pre-season match.

One last nice note about the production, from Wahl's article:

Yet being accepted into a major film festival isn't the only news for Oxenham and Boughen. After crisscrossing the globe together, they're getting married in June. Part of their honeymoon may involve a screening of Pelada in Cape Town during the World Cup.

Labels: internacional, media